"The most ordinary amateur garage band in America has more authenticity and fire and soul than the most adventurous band from England, because they’re playing the music of their blood."
When reminded by Reynolds that there is really no such thing as American ‘blood’ and that America was and remains highly segregated Thomas makes perhaps his most startling claim of all. After Reynolds puts it to Thomas that America does not really have a ‘melting pot’, Thomas replies by saying:
What proof does Thomas offer up of the connectedness of American music? Greil Marcus.
A black male living in the south in the 30s risked being lynched for even looking at a white woman in a way she or her husband found distasteful. Apparently, this was the ideal melting pot for America until Oprah Winfrey and the do-gooders came along. What David Thomas has done in this interview, and in his thinking, is to allow white, middle-class America to take ownership of images, music, and emotions that did not belong to them. Separated by race and class, the music of early 20th century America came out of poverty, out of prejudice, out of spirit-crushing realities faced on a day-to-day basis, realities that white middle-class Americans need never face.
Art belongs to no particular group or class, however, and the nature of culture means that Art becomes the property of all. Yet David Thomas, after appropriating music from out with his race and class, then condemns others for playing music that supposedly does not belong to them. I've read many interviews by musicians. Some show remarkable intelligence, some show a disappointing lack of wit. Never have I read an interview that has such ignorance, such stupidity, such thoughtless arrogance, as the one in Totally Wired with David Thomas. He insults the working-class by claiming they are all but incapable of making adventurous art (I’m sure Mark E. Smith would beg to differ), he insults African-Americans by appropriating their Art and claiming it for all Americans, he insults non-American rock bands, and he actually claims that an African-American woman is partly responsible for making America more segregated (this seems like a variation on the tired theme of ‘race problems would go away if we stopped talking about them’).
To be honest, I’d probably care more if Thomas weren't so irrelevant, if his ‘career’ didn't consist of two decent albums made decades ago. Nevertheless the interview contains enough moronic thinking, the kind that often passes for fact in America and elsewhere, that I feel it is my duty to bring others’ attention to it. The fantasy world that David Thomas inhabits reeks of privilege and conceit. Perhaps I expected a bit more intelligence, a bit more individuality, a bit more adventurousness to his thinking. Then again, he is a white middle-class American male. We can’t expect too much.
(This article originally appeared on Collapse Board)